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Paleolithic String Skirt
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The Untold History of the Mini Skirt:

How a barely-there Paleolithic skirt tells the ancient story of women

 

There’s a tiny skirt that tells a big story

 

It’s a story of intrigue, mystery and intelligence, revealed in the threads of an ancient garment. It’s a story in which women’s work and lives have been preserved in a fragile weave. The story begins more than 20,000 years ago when the first mini skirt was made. Wrapped in this tiny garment is the untold story of women. It’s the story of textiles, and if we follow this story from the Stone Age “through the Bronze Age into the Iron Age” (and even to a present day village in Peru) “we can watch how the craft of cloth making develops and how women’s roles change with the change of technology and its relation to society.”[1]

The first mini skirt made its debut, not on the catwalks of Paris, but in the caves of Stone Age dwellers during the Paleolithic era about 20,000 years ago. It would have made most modern fashion divas blush. Called a “string skirt,” the first mini was tiny, constructed of a band with strands of string hanging from the band. Barely covering a women’s lower body, the string skirt was skimpy, designed to seduce even a God by revealing specific female anatomy, and it announced to the world that a woman was available to have children.[2]

Besides the obvious, it might seem amazing that something so small could reveal so much about women - and history. But indeed the mini skirt does. Emerging from this ancient garment is a vivid picture of women, their skills, creativity, ability and important function in society. In this weave, we see women’s lives, from Paleolithic times forward, woven into the historical record, revealing that women worked in an industry older than pottery and agriculture.[3]

This relatively untold story provides an entirely new image of ancient women. Even as early as the Paleolithic age, 20,000 years ago, women were weaving and sewing, involved in a highly complex and creative technology that has ebbed and flowed throughout history. Sometimes women were the sole producers of this craft. Sometimes they were self-employed. Records show that 4,000 years ago, for example, in ancient Mesopotamia, respectable women were in business for themselves, weaving textiles at home to be sold abroad for gold and silver.[4] During other episodes in history, women were forced to work in cloth making, such as when “2,500 years ago, the women of Athens worked at home, virtual prisoners of their husbands, expected to provide cloth and clothing for the family.”[5]  The textile industry throughout history has been mostly the domain of women. “Up until the Industrial Revolution, and into this century, in many peasant societies, women spent every available moment spinning, weaving, and sewing, and even had men helping them (in Europe shearing sheep, curing and hacking flax, occasionally also spinning or weaving)-or at least entertaining them while they worked late into the evenings.” [6]   Looking back even further, to 20,000 years ago, women began making and wearing the first clothing created from spun fibers: string skirts that announced to all a woman’s ability to bear children.”[7]

 While the first mini skirt didn’t survive through the millennia, important artifacts discovered in more recent times, along with important clues left behind in literature and other written records, reveal its existence. We know the string skirt existed because it was described in ancient literature. In Book 14 of the Iliad, for example, Homer describes how Zeus’ wife Hera used the skirt to seduce Zeus “so that the course of the Trojan war can be temporarily changed while he is too occupied to notice.”[8] And an important discovery, which places the beginning point for this story at around 20,000 B.C., was a Venus “statuette” wearing a “short string skirt …thought to be of Gravettian origin from about 20,000 B.C.”[9] From its audacious beginnings, the mini skirt endured for thousands of years in various forms and in various cultures and was often found in burial sites.[10]

The ancient string skirt reveals that ancient peoples were more advanced than often depicted; they could construct clothing from a complex process, which would have required intelligence and creativity. Even those of us who are seamstresses would have difficulty today, with our modern equipment, making our own thread to weave our own cloth before sewing a garment. Cloth is woven from strands of thread or yarn, which have been made from either plant or animal fibers such as wool. In ancient times, all of the steps for making cloth would have been done mostly by hand and with fairly simple tools.



[1]Elizabeth Barber, Women's Work, The First 20,000 Years (New York, New York: W.W. Norton & Company,  Inc., 1994), 24.

[2] E.J.W. Barber, Prehistoric Textiles (Princeton, New Jersey: Princeton University Press, 1991), 3.

[3] Ibid, 4.

[4] Ibid, 4.

[5] Elizabeth Barber, Women’s Work, inside front flap.

[6] E.J.W. Barber, Prehistoric Textiles, 4.

[7] Elizabeth Barber, Women’s Work, introduction, 59.

[8] Ibid, 256-257.

[9] Ibid, 44, 56.

[10] E.J.W. Barber, Prehistoric Textiles, 9.

 

Click here to see weaving at the Planeterra Project, a Womens Weaving Co-op

A modern day version of an ancient art

To see how this ancient story might have looked, we can travel to the Peruvian Highlands, where in some villages the women still use ancient techniques of weaving, dying and garment construction, passed down through the generations. A look at weaving in the Peruvian Highlands helps to illustrate the complexity and beauty of this art, where cloth is “made thread by thread, by the hands of the people” giving each piece “…its own life, a reflection of the spirit, skill and personal history of the maker.”[1]  In the Peruvian Highlands, the clothing is most often made of wool fiber, sheared from sheep introduced by the Spanish in the 16th century.[2] The clothing is often brightly colored with intricate patterns and embellished with buttons and sequins. And although the arrival of the Spanish in the sixteenth century triggered a slow change in the clothing, some of the clothing articles of the Incan period have remained, “such as llicllas (women’s mantas or shawls), unkus (long shirts), and ojotas (sandals).”[3] This traditional clothing tells of the region, district, and community from which it came. “Even villages that are geographically very close, perhaps divided by no more than a river, a mountain or a road, may have a distinct clothing style. Clothing can also indicate a person’s marital status, occupation, artistic skills and economic status.”[4]

            Another example of women who are preserving the ancient weaving techniques is the Planeterra Project, a Women’s Weaving Co-op, which since 2005 has worked with the Ccaccaccollo community to develop a women’s weaving cooperative in the Sacred Valley. Here women are engaged in “the weaving process; from hand-spinning the wool to dying the wool using natural dyes. The video at the link, above, offers a glimpse into community life in the Sacred Valley.[5]



[1] Nilda Callanaupa Alvarez, Weaving in the Peruvian Highlands (Hong Kong: Center for Traditional Textiles, 2007), introduction.

[2] Ibid., 46.

[3] Ibid. 19

[4] Ibid, 19.

[5]Planeterra Project: Womens Weaving Co-op. June 2, 2010. http://www.youtube.com/watch?v=lPA1AN1iPzU (accessed June 2, 2010).



Making Cloth


Click here to see a demonstration on "Spinning" at the right side of page.

Spinning

The first step in cloth making is making the thread. In ancient times, this would have been done by spinning, a technique where several “single and often short and pliable filaments are twisted into one long, strong strand.” [1] To understand the complexity of this process, it is necessary to understand the steps involved: “Spinning is the drawing out, twisting, and winding of fibers into a continuous thread or yarn. From antiquity until the Industrial Revolution, spinning was a household industry. The roughly carded fiber was at first held in one hand and drawn out and twisted by the other hand. The earliest tools were the distaff, a stick on which the fiber was wrapped, and the spindle, a shorter, tapering stick notched at one end and weighted by the wharve or whorl (a disk of stone or clay). The spindle was twirled to twist the thread, which was then wound on it. With these simple tools were spun extremely fine yarns.”[2] 

[1] E.J.W. Barber, Prehistoric Textiles, 9.

[2] "spinning." The Columbia Encyclopedia, Sixth Edition. 2008. Encyclopedia.com. (June 3, 2010). http://www.encyclopedia.com/doc/1E1-spinning.html.

To see a weaving demonstration, click here.

Weaving

The next step is weaving, which involves interlacing two sets or types of thread: “a pre-arranged and more or less fixed set, the warp; and a second, inserted set, the weft.”[1] The weaving is done on a loom, which holds the first set of threads in place so that the weaver can weave in the cross-strands. It’s a difficult process to explain, so I have included a link here to a video where you can view the process as it may have looked in ancient times, without the aid of modern machinery.



[1] E.J.W. Barber, Prehistoric Textiles, 9.

 

Cultivation

Another component in the process of cloth making, which illustrates that it required a high degree of intelligence, is that spinning and weaving “require suitable materials”[1] that can be woven together into a strong cloth, like cotton, linen or wool.   Looking at ancient textile discoveries, we find that textiles were made of many different materials such as flax, hemp, nettle and other “bast” fibers, wool and hair fibers, silk, cotton and esparto.[2] All of these materials require some type of process, before they can be made into the thread used in weaving. In other words, ancient people weren’t just picking tall grasses and weaving them into skirts, which would have been extremely fragile. They were caring for animals to later be sheared for fibers such as wool, or cultivating crops for fibers and then spinning these fibers into a strong thread, which was then woven into cloth. Sometimes, the threads were dyed so that beautiful and complex patterns could be woven into a design.



[1] E.J.W. Barber, Prehistoric Textiles, 9 – 35.

[2] Ibid., 9



Along with the string skirt, other important textile discoveries have helped to fill in the gaps in our story. Some have revealed that the development of textiles, and the use of special technology, specifically looms, had been around longer than originally thought, and in areas besides Egypt or China.[1] For example, in 1875 some Classical Greek “pieces of ancient figured textiles” were discovered in “a group of mounds known as the Seven Brothers,” in Crimea, Russia. “These particular fragments came from burials associated with the nearby Greek colony of Panktikapaion (modern Kertch) founded in the 6th or 7th century B.C.”[2] Like the little string skirt, this discovery adds another missing piece to the historical puzzle: the Greek textile industry.  And as we have come to a better understanding of ancient Greek textile vocabulary, the Mycenaean textile period has become more vivid.

 “…Historians have often branded looms as primitive and incapable of refined work: yet 3rd-millennium Trojans used the same loom as 4th-century Greeks….and we have high-quality cloth from Anatolia and Palestine from the 7th and early 6th millennia B.C., and clay impressions of woven goods back to 7,000 B.C., proving the antiquity of weaving to that date and implying a considerably longer history.  The textile industry, in fact, is older than pottery and perhaps even than agriculture and stock-breeding, and it probably consumed far more hours of labor per year, in the temperate climates, than pottery and food production put together.”[3]

            While the Paleolithic string skirt provides clues to the lives of women and the culture of its time, so do the cloths and weaves of other cultures and time periods. All cultures - Classical Greek, Egypt, China, Africa, Sweden, Peru and others - have specific textiles that can be traced back to their original culture. As we learned by visiting the Peruvian Highlands, looking at textiles from around the world, we learn that the colors and patterns of the weaves of cloth each tell their own stories. In fact, “the history of the world can be read in textiles: the rise of civilizations and the fall of empires are woven into their warp and weft along with the great stories of conquest, religion and trade.”[4]

In Sweden, where my primary ancestry derives, textiles have a long history. “Swedish archaeologist Annika Larsson researches textiles. She studied textile finds from the Lake Mälaren Valley, the area that includes Stockholm and Uppsala, Sweden, which was one of the central regions in Scandinavia during the Viking Age. Larsson believes that textiles can tell researchers more about specific moments in time than rituals and traditions, that endure beyond social and economic change.”[5] Another example is Lotta Jansdotter, who grew up in Sweden, learned to sew at school in the third grade, and now lives in Brooklyn, New York, where she designs fabric and has her own clothing and pattern design company. For her, “fabrics are completely irresistible.”[6]

We are fortunate to have discovered the ancient string skirt, and that we have been able to decode ancient literature which spoke of women working in the textile industry, spinning and weaving. This has helped to mend the torn and fragmented pages of history, carrying an ancient story forward, where it has inspired women to present day. There are many reasons why the story of women has been mostly untold in history. Besides attitudes about women, which kept them subordinate and mostly underappreciated, much of the outcomes of women’s work - making food and cloth garments as just two examples - were perishable. Unlike stone or brick or wood, garments constructed of cloth “seldom survived the millennia. Where it does, it has had the advantage of unusual conditions, such as freezing, or anaerobic waterlogging, or …desiccation.” [7]

In the absence of actual pieces of thread or cloth, which are rare and few, still, “much has been learned from written sources and even from ancient carvings and artifacts. Egyptian tombs contain paintings of spinning and the weaving of linen, while, in the Odyssey, the Greek poet Homer describes how Penelope, the hero’s wife, evaded the attentions of her unwelcome suitors by weaving a large and delicate shroud for her father-in law, Laerts, a scene illustrated on a 5-th century BC vase.[8] A poem by W.B. Yeats is one example in literature that provides clues about cloth in which the first line states: “Had I the heavens’ embroidered cloths.[9]

            In conclusion, the “revised” historical record shows that while men were heaving heavy rocks, forging steel to mold swords, and hauling heavy bricks to build tall buildings, women were building the softer side of history, and influencing its course in an important way. Although the history records, especially in ancient times are nearly silent on the role women played in history, through archeology and ancient myths and records of textiles, we can weave together a story which illustrates the important influence women have had on our journey on this planet, up to present day. A tiny relic, an ancient string skirt and perhaps the world’s first mini, plays an important role in telling us this story, about early women, their work and roles in society. And along the way it’s busting ancient myths and paving the way for the future.



[1] E.J.W. Barber, Prehistoric Textiles, 3.

[2] Ibid., 3.

[3] Ibid., 4.

[4] John Gillow and Bryan Sentance, World Textiles (New York: Thames & Hudson Ltd., 1999), 9.

[5] Ancient Sweden, Travel Fashion Style Culture. June 2, 2010. http://cultural-anthropology.suite101.com/article.cfm/ancient-sweden-travel-fashion-style-and-culture (accessed June 2, 2010).

[6] Lotta Jansdotter, Simple Sewing (San Francisco: Chronicle Books LLC., 2007), Introduction.

[7] Prehistoric textiles. 3, 9.

[8] John Gillow and Bryan Sentance, World Textiles, 10.

[9] Ibid. Inside cover.

 

Research paper for Western History, WVC, Spring Q, 2010